Chris Pureka, The Harmaleighs

From the venue:

It’s rare for an artist to bridge the divide between critical acclaim and dedicated fan engagement. Chris Pureka is a Portland-based singer-songwriter whose body of work has resonated deeply with these seemingly disparate milieus. Her bold vulnerability in processing the intimacies of her life in song has long appealed to those listeners who crave authenticity. Now, five years coming, she shares with us another powerful entry in her life’s work, her sixth release, the aptly titled, Back in the Ring. Chris’s elegant emotionality as a vocalist, and her flair and immediacy as a lyricist have garnered her favorable comparisons to Gillian Welch, Ryan Adams, Bruce Springsteen, and Patty Griffin. She’s earned accolades from such distinguished taste-making outlets as The New York Times, Paste, Magnet, Billboard.com, and The AllMusic Guide. She’s shared the stage with such diverse and esteemed artists as Dar Williams, The Lumineers, The Cowboy Junkies, Gregory Alan Isakov, Martin Sexton, and Ani DiFranco. Along the way, Chris has remained fiercely independent, selling nearly 50,000 albums through her own label, Sad Rabbit Records. Chris’s journey in music mirrors her path toward self-discovery. At 16, writing songs became a way of journaling. “I was shy and introverted, and songwriting was a very personal process. I never had any intention of performing,” she shares. Post high school, she went on to complete a biology degree at Wesleyan University, and afterwards, worked in a microbiology research lab at Smith College. Meanwhile, she established a music career parallel to her biology work through touring and issuing a clutch of well-received indie releases. In 2006, when Chris found herself turning down too many opportunities as a musician, she shifted her priorities to become a full-time artist. Her latest album, Back in the Ring, is Chris’s first studio full length since 2010’s critically acclaimed How I Learned to See in the Dark. “I’m not interested in releasing songs I can’t get behind or records I don’t love,” she says of the five-year span between albums. The title of her latest playfully suggests something of an artistic comeback, but it also references the album’s themes of relationship conflict and making the decision to fight back against dark inner demons.